Date of post:
10.17.15Date of photo:
unknownPhotographer
Tošo Dabac
Caption
Tošo Dabac (1907-1970), Untitled Photograph, c. 1948-50.
Used in
- P #1 Ethnographic Photography and the Modernist Simulacra of Traditionby Kirsten Weiss
Tags
Date of post:
10.17.15Date of photo:
unknownPhotographer
Hans Retzlaff
Caption
Braut aus Rode / Bride from Rode
From: Hans Retzlaff. Bildnis eines deutschen Bauernvolkes / Portrait of a German peasant population
Die Siebenbürger Sachsen / The Transylvanian Saxons (Berlin, 1939)
Used in
- P #1 Ethnographic Photography and the Modernist Simulacra of Traditionby Kirsten Weiss
Tags
Date of post:
10.17.15Date of photo:
unknownPhotographer
Uncredited
Caption
Scanned page from the book: Gal Reporter by Joan Lowell, 1933; Lowell published the book four years after The Cradle of the Deep as another attempt to proof her experience at sea.
Used in
- P #3 At Seaby Becca Albee
Tags
Date of post:
10.17.15Date of photo:
unknownPhotographer
Maurice Kellerman
Caption
Scanned page from the book: Salt Water Taffy by Corey Ford, 1929; The book with its collages is a spoof on Joan Lowell’s autobiography Cradle of the Deep, which turned out to have been a fabrication.
Used in
- P #3 At Seaby Becca Albee
Tags
Date of post:
10.17.15Date of photo:
2015Photographer
Sarah Hogan
Caption
Matt Garite holding his copy of the Shellac record at his home in Winston-Salem, NC
Used in
- P #7 What Does Transparency Look Like?by Matt Garite
Tags
Date of post:
10.17.15Date of photo:
2015Photographer
Matt Garite
Caption
Shellac, The Bird Is the Most Popular Finger, front cover
Used in
- P #7 What Does Transparency Look Like?by Matt Garite
Tags
Date of post:
10.17.15Date of photo:
unknownPhotographer
Andrew Finegold
Caption
Unaltered, uncropped digital photograph of the east façade of the Cathedral of St. John the Divine, Manhattan.
Used in
- P #6 Don’t Let the Sun Go Down on Meby Andrew Finegold
Tags
Date of post:
10.17.15Date of photo:
2015Photographer
David Court
Caption
Screen grab of Samsung's webpage for LED 7000 television monitors.
Used in
- P #5 Panorama of Ourby David Court
Tags
Date of post:
10.17.15Date of photo:
unknownPhotographer
Kevin McElvaney
Caption
Discarded CRT monitors arranged into a makeshift bridge. Photo taken from the article:
The Guardian: Agbogbloshie-worlds-largest-e-waste-dump-in-pictures.
Used in
- P #5 Panorama of Ourby David Court
Web presence
Tags
Date of post:
10.17.15Date of photo:
unknownPhotographer
Saddington-Baynes
Caption
Rendering by Saddington Baynes, a creative production agency in London, for J.P Morgan Chase's prepaid card Chase Liquid
Used in
- P #2 Mirageby Claudia Weber
Tags
Date of post:
10.17.15Date of photo:
2012Photographer
Craig Ruttle
Caption
Rising water from the Hudson River overtakes a bank drive-through in Edgewater, N.J., Monday, Oct. 29, 2012 as Hurricane Sandy lashed the East Coast.
Used in
- P #2 Mirageby Claudia Weber
Web presence
Tags
Date of post:
10.17.15Date of photo:
unknownPhotographer
Saddington-Baynes
Caption
Rendering by Saddington Baynes, a creative production agency in London, for J.P Morgan Chase's prepaid card Chase Liquid
Used in
- P #2 Mirageby Claudia Weber
Tags
Date of post:
10.18.15Date of photo:
2015Photographer
Alison Burstein
Caption
Installation view of Raymond Pettibon’s No Title (Palinurus, a skillful) in Love Story - Works from Erling Kagge’s Collection at Astrup Fearnley Museum (Oslo, Norway).
Used in
- P #9 Ceci N’est Pas un Artworkby Alison Burstein
Tags
Date of post:
10.18.15Date of photo:
2015Photographer
Matt Garite
Caption
Shellac, The Bird Is the Most Popular Finger, insert included with the record
Used in
- P #7 What Does Transparency Look Like?by Matt Garite
Tags
Date of post:
10.18.15Date of photo:
2015Photographer
Matt Garite
Caption
Shellac, The Bird Is the Most Popular Finger, back cover with photograph attached
Used in
- P #7 What Does Transparency Look Like?by Matt Garite
Tags
Date of post:
10.18.15Date of photo:
2015Photographer
Matt Garite
Caption
Shellac, The Bird Is the Most Popular Finger, back cover with photograph removed
Used in
- P #7 What Does Transparency Look Like?by Matt Garite
Tags
Date of post:
10.18.15Date of photo:
unknownPhotographer
Groesch/Metzger
Caption
Gym by night
Frankfurt, Germany
Lumix DMC-LX3
Year unknown
Used in
- P #4 Travelling Shotsby Groesch / Metzger
Tags
Date of post:
10.18.15Date of photo:
2015Photographer
Groesch/Metzger
Caption
Sky
Near Heidelberg, Germany
iPhone 5
2015
Used in
- P #4 Travelling Shotsby Groesch / Metzger
Tags
Date of post:
10.18.15Date of photo:
2014Photographer
Groesch/Metzger
Caption
Glass
Frankfurt/Main, Germany
Nikon D700
2014
Used in
- P #4 Travelling Shotsby Groesch / Metzger
Tags
Date of post:
10.18.15Date of photo:
2015Photographer
Groesch/Metzger
Caption
Magazine on a train
Karlsruhe, Germany
iPhone 5
2015
Used in
- P #4 Travelling Shotsby Groesch / Metzger
Tags
Date of post:
10.18.15Date of photo:
2005Photographer
Groesch/Metzger
Caption
Abandoned track
Los Angeles
Nikon F80
2005
Used in
- P #4 Travelling Shotsby Groesch / Metzger
Tags
Date of post:
10.18.15Date of photo:
2015Photographer
Uncredited
Caption
Screen capture from “Collateral Murder” (8:34 of 17:46) released by WikiLeaks April 5, 2010.
https://youtu.be/5rXPrfnU3G0
Used in
- P #8 On the Efficacy of Exposureby Guy Witzel
Web presence
Tags
Date of post:
10.18.15Date of photo:
2015Photographer
Ramsey Orta
Caption
Still from a video documenting the death of Eric Garner on July 17, 2014. Screen capture by Guy Witzel.
https://eric-garner-chokehold-documentation
Used in
- P #8 On the Efficacy of Exposureby Guy Witzel
Web presence
Tags
Date of post:
10.25.15Date of photo:
unknownPhotographer
Vegard Kleven
Caption
Raymond Pettibon. No Title (Palinurus, a skillful). 1999. Pencil and ink on paper. 40.6 x 27.9 cm.
Used in
- P #9 Ceci N’est Pas un Artworkby Alison Burstein
Web presence
Tags
Date of post:
06.24.16Date of photo:
unknownPhotographer
Michael Aschauer
Caption
A stack of 0Euro notes, back side, created by the Austrian artist Michael Aschauer
Used in
- P #10 Imaginative Currencies! Imaginary Resistance?by Sebastian Loewe
Web presence
Tags
Date of post:
06.25.16Date of photo:
unknownPhotographer
Unknown
Caption
Front side of a 500 Giblinge bill, designed by Austrian artist Deborah Sengl and issued by punkaustria.at
Used in
- P #10 Imaginative Currencies! Imaginary Resistance?by Sebastian Loewe
Web presence
Tags
Date of post:
07.20.16Date of photo:
2015Photographer
Collier Schorr
Caption
Artist Seth Price in the Fall/Winter 2015 advertising campaign of the Italian fashion brand Brioni. The left side of the photo has been cropped off.
Used in
- P #11 New Text – Fake Nameby Buchmaier / Woditschka
Tags
Date of post:
07.20.16Date of photo:
2008Photographer
Mdf
Caption
Hummingbird (Colibri Thalassinus). This image has been taken from https://commons.wikimedia.org and used under the license CC BY-SA 3.0.
Used in
- P #11 New Text – Fake Nameby Buchmaier / Woditschka
Tags
Date of post:
07.20.16Date of photo:
2016Photographer
Buchmaier / Woditschka
Caption
Softcover of Seth Price´s Fuck Seth Price (2015) next to a price tag by the Swedish fashion label Monki
Used in
- P #11 New Text – Fake Nameby Buchmaier / Woditschka
Tags
Date of post:
07.20.16Date of photo:
2016Photographer
Buchmaier / Woditschka
Caption
071816, leaves, pills and Antonio J. Mendez, The Master of Disguise – My Secret Life in the CIA, 2000
Used in
- P #11 New Text – Fake Nameby Buchmaier / Woditschka
Tags
Date of post:
09.03.16Date of photo:
unknownPhotographer
Unknown
Caption
Used in
- P #12 Plotby Alpert / Premnath
Tags
Date of post:
09.03.16Date of photo:
unknownPhotographer
Unknown
Caption
Courtesy of Nitesh Estates / Napa Valley eBrochure
Used in
- P #12 Plotby Alpert / Premnath
Tags
Date of post:
10.01.16Date of photo:
2015Photographer
Peter Scott
Caption
High Line Crowd, 2015
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
10.01.16Date of photo:
unknownPhotographer
Joel Sternfeld
Caption
Ruins of Villa Sette Basi with the ruins of a small temple, Roma Vechia, Rome, September 1990, Diptych
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
10.01.16Date of photo:
2000Photographer
Joel Sternfeld
Caption
Looking West on 30th Street on a September Evening, 2000 (image cropped)
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
10.01.16Date of photo:
unknownPhotographer
Unknown
Caption
Thomas & William Daniell’s The Ruins of the Palace at Madurai, oil on canvas, 1798, British Museum, London, England
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
10.01.16Date of photo:
2000Photographer
Joel Sternfeld
Caption
Ailanthus Trees, 25th Street, May 2000 (image cropped)
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
10.01.16Date of photo:
2016Photographer
Peter Scott
Caption
High Line (looking north towards Hudson Yards), 2016
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
10.01.16Date of photo:
2016Photographer
Peter Scott
Caption
High Line Growth, 2016
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
10.01.16Date of photo:
unknownPhotographer
Unknown
Caption
Giovanni Antonio Canal (also known as Canaletto), Capriccio with Classical Ruins and Buildings, oil on canvas, 1750s
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
10.01.16Date of photo:
2016Photographer
Peter Scott
Caption
High Line entrance at Whitney Museum, 2016
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
10.21.16Date of photo:
unknownPhotographer
Alexander Heim-Riether
Caption
Computer rendering of a molecule, which was designed to block a protein's erratic communication.
Used in
- P #14 A Glimpse Inside of Usby Alexander Heim-Riether
Tags
Date of post:
10.21.16Date of photo:
unknownPhotographer
Alexander Heim-Riether
Caption
A transparently rendered protein that shows a designed molecule with a hydrogen bridge.
Used in
- P #14 A Glimpse Inside of Usby Alexander Heim-Riether
Tags
Date of post:
10.21.16Date of photo:
1895Photographer
Wilhelm Conrad Roentgen
Caption
"Hand mit Ringen" (hand with rings). German physicist Wilhelm Conrad Roengten made his first radiograph with the hand of his wife Anna Bertha Ludwig. This image is used under license CC BY-SA 4.0 from https://commons.wikimedia.org. (source: Wellcome Images)
Used in
- P #14 A Glimpse Inside of Usby Alexander Heim-Riether
Tags
Date of post:
10.21.16Date of photo:
2016Photographer
Alexander Heim-Riether
Caption
Vision for a designed molecule that could become a future pill against joint disorders.
Used in
- P #14 A Glimpse Inside of Usby Alexander Heim-Riether
Tags
Date of post:
12.01.16Date of photo:
2016Photographer
Saylor Breckenridge
Caption
Friends are all around us. A shape-shifter happily shaking things up during the last moments of Reanimator Records.
Used in
- P #15 Habitus of Horrorby Saylor Breckenridge
Tags
Date of post:
12.01.16Date of photo:
2016Photographer
Saylor Breckenridge
Caption
People looking at thrilling things: some fans watching a rock band during the last moments of Reanimator Records. Note that no one is disturbed by the alien's public use of a comm-link. Just one of the gang.
Used in
- P #15 Habitus of Horrorby Saylor Breckenridge
Tags
Date of post:
12.01.16Date of photo:
2016Photographer
Saylor Breckenridge
Caption
A rare image capturing the city shifting its reality. The left side of the photo clearly shows a building's windows transforming into their new state. The intent of the change is not yet known at the time of this captioning, but many of us who have detected it are paying close attention.
Used in
- P #15 Habitus of Horrorby Saylor Breckenridge
Tags
Date of post:
12.01.16Date of photo:
2016Photographer
Saylor Breckenridge
Caption
Close up of a comic book image. Someone is about to lose their head via a tentacled monster. There's no devil in these details, just the understanding of how colored half-tones work together and are placed on the paper to construct something that we could perceive as scary. (Sanjulian. 1976. "Oogie: The Scroungers." Eerie 76: cover.)
Used in
- P #15 Habitus of Horrorby Saylor Breckenridge
Tags
Date of post:
03.04.17Date of photo:
2017Photographer
Kate Palmer Albers
Caption
The Champion Pig: Great Moments in Everyday Life, edited by Barbara P. Norfleet. Boston: Godine, 1979
Used in
- P #16 The Pig and the Algorithmby Kate Palmer Albers
Tags
Date of post:
03.05.17Date of photo:
2017Photographer
Kate Palmer Albers
Caption
Screenshot of Harry Annas Studio, Untitled (boy with pig, Lockhart, TX), 1948, from the Harvard University Art Museums data analysis site
Used in
- P #16 The Pig and the Algorithmby Kate Palmer Albers
Tags
Date of post:
03.20.17Date of photo:
1917Photographer
Unknown
Caption
International Women’s Day was instituted in commemoration of women taking to the streets of Petrograd (now St. Petersburg) on March 8, 1917, when they made economic demands and launched the Russian Revolution. Photo Credit: Fototeca-Storica-Nazionale.
Used in
- P #17 Lean In, The Statueby Blake Stimson
Tags
Date of post:
03.20.17Date of photo:
2017Photographer
Mark (AP) Lennihan
Caption
Kristen Visbal’s bronze Fearless Girl, here adorned with a pussy hat, was commissioned by McCann New York for State Street Global Advisors, and placed opposite to the Charging Bull sculpture in New York's Financial District for International Women's Day.
Used in
- P #17 Lean In, The Statueby Blake Stimson
Tags
Date of post:
06.11.17Date of photo:
2017Photographer
Justin Parks
Caption
Richard Wright, 12 Million Black Voices, and James Agee, Let Us Now Praise Famous Men (both 1941). Grave image by Walker Evans.
Used in
- P #18 On Making Graven Images: The Racial Meanings of Death in a Walker Evans Photograph and Its Doubleby Justin Parks
Tags
Date of post:
08.26.17Date of photo:
2017Photographer
Unknown
Caption
Screenshot from @realdonaldtrump’s Instagram account (posted on March 9, 2017).
Used in
- P #19 The Social Media President: Donald Trump’s Visual-Rhetorical Strategies On Instagramby Sebastian Loewe
Tags
Date of post:
08.26.17Date of photo:
2017Photographer
Unknown
Caption
Screenshot from @realdonaldtrump’s Instagram account (posted on February 27, 2017).
Used in
- P #19 The Social Media President: Donald Trump’s Visual-Rhetorical Strategies On Instagramby Sebastian Loewe
Tags
Date of post:
08.26.17Date of photo:
2017Photographer
Unknown
Caption
Screenshot from @realdonaldtrump’s Instagram account (posted on April 9, 2017).
Used in
- P #19 The Social Media President: Donald Trump’s Visual-Rhetorical Strategies On Instagramby Sebastian Loewe
Tags
Date of post:
08.26.17Date of photo:
2017Photographer
Unknown
Caption
Screenshot from @realdonaldtrump’s Instagram account (posted on March 13, 2017).
Used in
- P #19 The Social Media President: Donald Trump’s Visual-Rhetorical Strategies On Instagramby Sebastian Loewe
Tags
Date of post:
12.01.17Date of photo:
2017Photographer
Nicoletta Rousseva
Caption
Patricia Reed, The Uninscribed Taxonomy of that which You’ve Been Given (2010), adhesive vinyl installation, on display in the inaugural exhibition at the Museum of Capitalism, Oakland, California, August 11, 2017.
Used in
- P #20 Abstraction and Everyday Lifeby Nicoletta Rousseva
Tags
Date of post:
12.01.17Date of photo:
2017Photographer
Nicoletta Rousseva
Caption
Photograph of my mother’s kitchen table. Sacramento, California. August 18, 2017.
Used in
- P #20 Abstraction and Everyday Lifeby Nicoletta Rousseva
Tags
Date of post:
04.28.18Date of photo:
2018Photographer
Unknown
Caption
Workers in the Nabisco Printing Factory in Beacon, NY. Source: Beacon NY Historical Society.
Used in
- P #21 Artist's Rendering (Remainders)by David Court
Tags
Date of post:
05.05.18Date of photo:
2018Photographer
David Court
Caption
Study Model for the South Galleries of the Dia: Beacon. Source: Rice+Lipka Architects (screenshot)
Used in
- P #21 Artist's Rendering (Remainders)by David Court
Tags
Date of post:
07.15.18Date of photo:
197586Photographer
Alvin Baltrop
Caption
Alvin Baltrop, The Piers (collapsed warehouse), silver gelatin print, 1975-1986. Photograph used courtesy of The Alvin Baltrop Trust, © The Alvin Baltrop Trust and Third Streaming. All rights reserved.
Used in
- P #22 I Set Out to Write a Critical Essayby Mia Kang
Tags
Date of post:
07.15.18Date of photo:
1864Photographer
Alexander Gardner
Caption
Ruins of Petersburg and Richmond Railroad Bridge, Across the James, albumen print, April 1864, in Alexander Gardner, Alexander Gardner's Photographic Sketch Book of the War, General Collection, Beinecke Rare Book and Manuscript Library, Yale University.
Used in
- P #22 I Set Out to Write a Critical Essayby Mia Kang
Tags
Date of post:
10.05.18Date of photo:
unknownPhotographer
Unknown
Caption
Emitting the Anthropocene. Image Credit: “onedrive-illo3” on Techcrunch.com, 2017.
Used in
- P #23 The Lycanthropoceneby Carl Diehl
Tags
Date of post:
10.05.18Date of photo:
2013Photographer
Dong-kyu Kim
Caption
In this and other fine art remixes in the Art X Smart series, contemporary illustrator Dong-kyu Kim reflects on the connective obligations of today’s networked publics.
Used in
- P #23 The Lycanthropoceneby Carl Diehl
Tags
Date of post:
10.05.18Date of photo:
2017Photographer
Unknown
Caption
Spoiler alert.
Used in
- P #23 The Lycanthropoceneby Carl Diehl
Tags
Date of post:
03.02.19Date of photo:
2018Photographer
Sebastian Mühl
Caption
Trump Tower, Chicago, at night.
Used in
- P #24 Notes on Utopia, History and Architectural Formby Sebastian Mühl
Tags
Date of post:
03.02.19Date of photo:
2018Photographer
Sebastian Mühl
Caption
860-880 Lake Shore Drive , Chicago, designed by Mies van der Rohe.
Used in
- P #24 Notes on Utopia, History and Architectural Formby Sebastian Mühl
Tags
Date of post:
06.06.20Date of photo:
2019Photographer
Unknown
Caption
In a campaign for the cognac brand Louis XIII, a pair of robotic arms performed a toast to produce a pitch-perfect G-sharp note, which composer Yaron Herman turned into a score titled One Note Prelude.
Used in
- P #25 Plus Ça Changeby Claudia Weber
Tags
Date of post:
06.06.20Date of photo:
2019Photographer
Claudia Weber
Caption
The reflection of a passing cyclist blends with a Louis XIII cognac decanter on display in a liquor store in New York’s Financial District.
Used in
- P #25 Plus Ça Changeby Claudia Weber
Tags
Date of post:
08.21.22Date of photo:
unknownPhotographer
James T. Bartlett
Caption
Photograph of the Bonaventure hotel in L.A., USA. The building is captured looming over a rectangular cement foundation, and appears as a cluster of rounded towers of smooth, reflective glass, the top floors catching the glimpses of the setting sun.
Used in
- P #26 New Financial Totality: Beeple’s EVERYDAYS (1)by Nadezhda Gribkova
Web presence
Tags
Date of post:
08.21.22Date of photo:
unknownPhotographer
Mike (aka Beeple) Winkelmann
Caption
Beeple (b. 1981), EVERYDAYS: The First 5000 Days, 21,069 x 21,069 pixels (319,168,313 bytes). Minted on 16 February 2021. A square composition of 5,000 images composed in a shimmering, multicolor arrangement.
Used in
- P #27 New Financial Totality: Beeple’s EVERYDAYS (2)by Nadezhda Gribkova
- P #26 New Financial Totality: Beeple’s EVERYDAYS (1)by Nadezhda Gribkova
Web presence
Tags
Date of post:
08.27.22Date of photo:
unknownPhotographer
Unknown
Caption
Carrington Bowels (publisher). The Bubblers Medley, or a Sketch of the Times: Being Europe’s Memorial for the Year 1720, 1721. An 18th century engraving depicting an arrangement of paper documents, playing cards, and humorous poems dedicated to the South Sea economic bubble of 1720.
Used in
- P #27 New Financial Totality: Beeple’s EVERYDAYS (2)by Nadezhda Gribkova
Tags
Date of post:
08.27.22Date of photo:
unknownPhotographer
Unknown
Caption
François Bonneville [del.], Tableau d’assignats avec portraits de victimes et de profiteurs, colored etching, 1796. The work depicts haphazardly arranged paper documents, receipts, and ragged assignats. The composition also includes paper cards that show men in varying degrees of economic misfortunes on the top left, and a well-dressed figure coming into great affluence on the top right.
Used in
- P #27 New Financial Totality: Beeple’s EVERYDAYS (2)by Nadezhda Gribkova
Tags
Date of post:
08.27.22Date of photo:
2021Photographer
Mike (aka Beeple) Winkelmann
Caption
Beeple (b. 1981), HUMAN ONE, 2021. Kinetic video sculpture, consisting of four video screens, polished aluminum, mahogany wood frame, dual media servers, video with corresponding dynamic NFT. 87 x 48 x 48 in. The still depicts the aluminum case and one screen that shows a human figure in a space suit walking in a desert-like landscape.
Used in
- P #27 New Financial Totality: Beeple’s EVERYDAYS (2)by Nadezhda Gribkova