Date of post:
08.21.22Date of photo:
unknownPhotographer
James T. Bartlett
Caption
Photograph of the Bonaventure hotel in L.A., USA. The building is captured looming over a rectangular cement foundation, and appears as a cluster of rounded towers of smooth, reflective glass, the top floors catching the glimpses of the setting sun.
Used in
- P #26 New Financial Totality: Beeple’s EVERYDAYS (1)by Nadezhda Gribkova
Web presence
Tags
Date of post:
08.21.22Date of photo:
unknownPhotographer
Mike (aka Beeple) Winkelmann
Caption
Beeple (b. 1981), EVERYDAYS: The First 5000 Days, 21,069 x 21,069 pixels (319,168,313 bytes). Minted on 16 February 2021. A square composition of 5,000 images composed in a shimmering, multicolor arrangement.
Used in
- P #27 New Financial Totality: Beeple’s EVERYDAYS (2)by Nadezhda Gribkova
- P #26 New Financial Totality: Beeple’s EVERYDAYS (1)by Nadezhda Gribkova
Web presence
Tags
Date of post:
08.27.22Date of photo:
unknownPhotographer
Unknown
Caption
Carrington Bowels (publisher). The Bubblers Medley, or a Sketch of the Times: Being Europe’s Memorial for the Year 1720, 1721. An 18th century engraving depicting an arrangement of paper documents, playing cards, and humorous poems dedicated to the South Sea economic bubble of 1720.
Used in
- P #27 New Financial Totality: Beeple’s EVERYDAYS (2)by Nadezhda Gribkova
Tags
Date of post:
08.27.22Date of photo:
unknownPhotographer
Unknown
Caption
François Bonneville [del.], Tableau d’assignats avec portraits de victimes et de profiteurs, colored etching, 1796. The work depicts haphazardly arranged paper documents, receipts, and ragged assignats. The composition also includes paper cards that show men in varying degrees of economic misfortunes on the top left, and a well-dressed figure coming into great affluence on the top right.
Used in
- P #27 New Financial Totality: Beeple’s EVERYDAYS (2)by Nadezhda Gribkova
Tags
Date of post:
08.27.22Date of photo:
2021Photographer
Mike (aka Beeple) Winkelmann
Caption
Beeple (b. 1981), HUMAN ONE, 2021. Kinetic video sculpture, consisting of four video screens, polished aluminum, mahogany wood frame, dual media servers, video with corresponding dynamic NFT. 87 x 48 x 48 in. The still depicts the aluminum case and one screen that shows a human figure in a space suit walking in a desert-like landscape.
Used in
- P #27 New Financial Totality: Beeple’s EVERYDAYS (2)by Nadezhda Gribkova