Date of post:
09.03.16Date of photo:
unknownPhotographer
Unknown
Caption
Used in
- P #12 Plotby Alpert / Premnath
Tags
Date of post:
10.18.15Date of photo:
2015Photographer
Ramsey Orta
Caption
Still from a video documenting the death of Eric Garner on July 17, 2014. Screen capture by Guy Witzel.
https://eric-garner-chokehold-documentation
Used in
- P #8 On the Efficacy of Exposureby Guy Witzel
Web presence
Tags
Date of post:
10.18.15Date of photo:
2015Photographer
Uncredited
Caption
Screen capture from “Collateral Murder” (8:34 of 17:46) released by WikiLeaks April 5, 2010.
https://youtu.be/5rXPrfnU3G0
Used in
- P #8 On the Efficacy of Exposureby Guy Witzel
Web presence
Tags
Date of post:
10.01.16Date of photo:
unknownPhotographer
Unknown
Caption
Giovanni Antonio Canal (also known as Canaletto), Capriccio with Classical Ruins and Buildings, oil on canvas, 1750s
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
07.20.16Date of photo:
2008Photographer
Mdf
Caption
Hummingbird (Colibri Thalassinus). This image has been taken from https://commons.wikimedia.org and used under the license CC BY-SA 3.0.
Used in
- P #11 New Text – Fake Nameby Buchmaier / Woditschka
Tags
Date of post:
10.01.16Date of photo:
2016Photographer
Peter Scott
Caption
High Line (looking north towards Hudson Yards), 2016
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
10.01.16Date of photo:
2015Photographer
Peter Scott
Caption
High Line Crowd, 2015
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
03.04.17Date of photo:
2017Photographer
Kate Palmer Albers
Caption
The Champion Pig: Great Moments in Everyday Life, edited by Barbara P. Norfleet. Boston: Godine, 1979
Used in
- P #16 The Pig and the Algorithmby Kate Palmer Albers
Tags
Date of post:
10.01.16Date of photo:
2016Photographer
Peter Scott
Caption
High Line entrance at Whitney Museum, 2016
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
10.01.16Date of photo:
2016Photographer
Peter Scott
Caption
High Line Growth, 2016
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
10.01.16Date of photo:
2016Photographer
Peter Scott
Caption
High Line (looking north towards Hudson Yards), 2016
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
10.01.16Date of photo:
2000Photographer
Joel Sternfeld
Caption
Ailanthus Trees, 25th Street, May 2000 (image cropped)
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
10.01.16Date of photo:
2000Photographer
Joel Sternfeld
Caption
Looking West on 30th Street on a September Evening, 2000 (image cropped)
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
10.01.16Date of photo:
2015Photographer
Peter Scott
Caption
High Line Crowd, 2015
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
03.02.19Date of photo:
2018Photographer
Sebastian Mühl
Caption
860-880 Lake Shore Drive , Chicago, designed by Mies van der Rohe.
Used in
- P #24 Notes on Utopia, History and Architectural Formby Sebastian Mühl
Tags
Date of post:
03.02.19Date of photo:
2018Photographer
Sebastian Mühl
Caption
Trump Tower, Chicago, at night.
Used in
- P #24 Notes on Utopia, History and Architectural Formby Sebastian Mühl
Tags
Date of post:
04.28.18Date of photo:
2018Photographer
Unknown
Caption
Workers in the Nabisco Printing Factory in Beacon, NY. Source: Beacon NY Historical Society.
Used in
- P #21 Artist's Rendering (Remainders)by David Court
Tags
Date of post:
12.01.17Date of photo:
2017Photographer
Nicoletta Rousseva
Caption
Photograph of my mother’s kitchen table. Sacramento, California. August 18, 2017.
Used in
- P #20 Abstraction and Everyday Lifeby Nicoletta Rousseva
Tags
Date of post:
12.01.16Date of photo:
2016Photographer
Saylor Breckenridge
Caption
Close up of a comic book image. Someone is about to lose their head via a tentacled monster. There's no devil in these details, just the understanding of how colored half-tones work together and are placed on the paper to construct something that we could perceive as scary. (Sanjulian. 1976. "Oogie: The Scroungers." Eerie 76: cover.)
Used in
- P #15 Habitus of Horrorby Saylor Breckenridge
Tags
Date of post:
12.01.16Date of photo:
2016Photographer
Saylor Breckenridge
Caption
A rare image capturing the city shifting its reality. The left side of the photo clearly shows a building's windows transforming into their new state. The intent of the change is not yet known at the time of this captioning, but many of us who have detected it are paying close attention.
Used in
- P #15 Habitus of Horrorby Saylor Breckenridge
Tags
Date of post:
12.01.16Date of photo:
2016Photographer
Saylor Breckenridge
Caption
People looking at thrilling things: some fans watching a rock band during the last moments of Reanimator Records. Note that no one is disturbed by the alien's public use of a comm-link. Just one of the gang.
Used in
- P #15 Habitus of Horrorby Saylor Breckenridge
Tags
Date of post:
10.01.16Date of photo:
2016Photographer
Peter Scott
Caption
High Line Growth, 2016
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
08.27.22Date of photo:
2021Photographer
Mike (aka Beeple) Winkelmann
Caption
Beeple (b. 1981), HUMAN ONE, 2021. Kinetic video sculpture, consisting of four video screens, polished aluminum, mahogany wood frame, dual media servers, video with corresponding dynamic NFT. 87 x 48 x 48 in. The still depicts the aluminum case and one screen that shows a human figure in a space suit walking in a desert-like landscape.
Used in
- P #27 New Financial Totality: Beeple’s EVERYDAYS (2)by Nadezhda Gribkova
Web presence
Tags
Date of post:
10.21.16Date of photo:
unknownPhotographer
Alexander Heim-Riether
Caption
A transparently rendered protein that shows a designed molecule with a hydrogen bridge.
Used in
- P #14 A Glimpse Inside of Usby Alexander Heim-Riether
Tags
Date of post:
12.01.17Date of photo:
2017Photographer
Nicoletta Rousseva
Caption
Photograph of my mother’s kitchen table. Sacramento, California. August 18, 2017.
Used in
- P #20 Abstraction and Everyday Lifeby Nicoletta Rousseva
Tags
Date of post:
10.01.16Date of photo:
unknownPhotographer
Unknown
Caption
Thomas & William Daniell’s The Ruins of the Palace at Madurai, oil on canvas, 1798, British Museum, London, England
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
10.17.15Date of photo:
unknownPhotographer
Kevin McElvaney
Caption
Discarded CRT monitors arranged into a makeshift bridge. Photo taken from the article:
The Guardian: Agbogbloshie-worlds-largest-e-waste-dump-in-pictures.
Used in
- P #5 Panorama of Ourby David Court
Web presence
Tags
Date of post:
10.18.15Date of photo:
2015Photographer
Ramsey Orta
Caption
Still from a video documenting the death of Eric Garner on July 17, 2014. Screen capture by Guy Witzel.
https://eric-garner-chokehold-documentation
Used in
- P #8 On the Efficacy of Exposureby Guy Witzel
Web presence
Tags
Date of post:
04.28.18Date of photo:
2018Photographer
Unknown
Caption
Workers in the Nabisco Printing Factory in Beacon, NY. Source: Beacon NY Historical Society.
Used in
- P #21 Artist's Rendering (Remainders)by David Court
Tags
Date of post:
10.01.16Date of photo:
2000Photographer
Joel Sternfeld
Caption
Looking West on 30th Street on a September Evening, 2000 (image cropped)
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
10.17.15Date of photo:
unknownPhotographer
Hans Retzlaff
Caption
Braut aus Rode / Bride from Rode
From: Hans Retzlaff. Bildnis eines deutschen Bauernvolkes / Portrait of a German peasant population
Die Siebenbürger Sachsen / The Transylvanian Saxons (Berlin, 1939)
Used in
- P #1 Ethnographic Photography and the Modernist Simulacra of Traditionby Kirsten Weiss
Tags
Date of post:
10.17.15Date of photo:
unknownPhotographer
Tošo Dabac
Caption
Tošo Dabac (1907-1970), Untitled Photograph, c. 1948-50.
Used in
- P #1 Ethnographic Photography and the Modernist Simulacra of Traditionby Kirsten Weiss
Tags
Date of post:
04.28.18Date of photo:
2018Photographer
Unknown
Caption
Workers in the Nabisco Printing Factory in Beacon, NY. Source: Beacon NY Historical Society.
Used in
- P #21 Artist's Rendering (Remainders)by David Court
Tags
Date of post:
09.03.16Date of photo:
unknownPhotographer
Unknown
Caption
Used in
- P #12 Plotby Alpert / Premnath
Tags
Date of post:
10.18.15Date of photo:
2005Photographer
Groesch/Metzger
Caption
Abandoned track
Los Angeles
Nikon F80
2005
Used in
- P #4 Travelling Shotsby Groesch / Metzger
Tags
Date of post:
10.18.15Date of photo:
2015Photographer
Groesch/Metzger
Caption
Magazine on a train
Karlsruhe, Germany
iPhone 5
2015
Used in
- P #4 Travelling Shotsby Groesch / Metzger
Tags
Date of post:
10.18.15Date of photo:
2014Photographer
Groesch/Metzger
Caption
Glass
Frankfurt/Main, Germany
Nikon D700
2014
Used in
- P #4 Travelling Shotsby Groesch / Metzger
Tags
Date of post:
10.18.15Date of photo:
2015Photographer
Groesch/Metzger
Caption
Sky
Near Heidelberg, Germany
iPhone 5
2015
Used in
- P #4 Travelling Shotsby Groesch / Metzger
Tags
Date of post:
10.18.15Date of photo:
unknownPhotographer
Groesch/Metzger
Caption
Gym by night
Frankfurt, Germany
Lumix DMC-LX3
Year unknown
Used in
- P #4 Travelling Shotsby Groesch / Metzger
Tags
Date of post:
03.20.17Date of photo:
2017Photographer
Mark (AP) Lennihan
Caption
Kristen Visbal’s bronze Fearless Girl, here adorned with a pussy hat, was commissioned by McCann New York for State Street Global Advisors, and placed opposite to the Charging Bull sculpture in New York's Financial District for International Women's Day.
Used in
- P #17 Lean In, The Statueby Blake Stimson
Tags
Date of post:
03.20.17Date of photo:
1917Photographer
Unknown
Caption
International Women’s Day was instituted in commemoration of women taking to the streets of Petrograd (now St. Petersburg) on March 8, 1917, when they made economic demands and launched the Russian Revolution. Photo Credit: Fototeca-Storica-Nazionale.
Used in
- P #17 Lean In, The Statueby Blake Stimson
Tags
Date of post:
06.11.17Date of photo:
2017Photographer
Justin Parks
Caption
Richard Wright, 12 Million Black Voices, and James Agee, Let Us Now Praise Famous Men (both 1941). Grave image by Walker Evans.
Used in
- P #18 On Making Graven Images: The Racial Meanings of Death in a Walker Evans Photograph and Its Doubleby Justin Parks
Tags
Date of post:
10.17.15Date of photo:
unknownPhotographer
Maurice Kellerman
Caption
Scanned page from the book: Salt Water Taffy by Corey Ford, 1929; The book with its collages is a spoof on Joan Lowell’s autobiography Cradle of the Deep, which turned out to have been a fabrication.
Used in
- P #3 At Seaby Becca Albee
Tags
Date of post:
10.17.15Date of photo:
unknownPhotographer
Uncredited
Caption
Scanned page from the book: Gal Reporter by Joan Lowell, 1933; Lowell published the book four years after The Cradle of the Deep as another attempt to proof her experience at sea.
Used in
- P #3 At Seaby Becca Albee
Tags
Date of post:
10.01.16Date of photo:
2000Photographer
Joel Sternfeld
Caption
Ailanthus Trees, 25th Street, May 2000 (image cropped)
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
10.01.16Date of photo:
2000Photographer
Joel Sternfeld
Caption
Looking West on 30th Street on a September Evening, 2000 (image cropped)
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
10.01.16Date of photo:
unknownPhotographer
Joel Sternfeld
Caption
Ruins of Villa Sette Basi with the ruins of a small temple, Roma Vechia, Rome, September 1990, Diptych
Used in
- P #13 High Line Picturesqueby Peter Scott
Tags
Date of post:
10.17.15Date of photo:
unknownPhotographer
Kevin McElvaney
Caption
Discarded CRT monitors arranged into a makeshift bridge. Photo taken from the article:
The Guardian: Agbogbloshie-worlds-largest-e-waste-dump-in-pictures.
Used in
- P #5 Panorama of Ourby David Court
Web presence
Tags
Date of post:
10.17.15Date of photo:
unknownPhotographer
Maurice Kellerman
Caption
Scanned page from the book: Salt Water Taffy by Corey Ford, 1929; The book with its collages is a spoof on Joan Lowell’s autobiography Cradle of the Deep, which turned out to have been a fabrication.
Used in
- P #3 At Seaby Becca Albee
Tags
Date of post:
10.17.15Date of photo:
unknownPhotographer
Uncredited
Caption
Scanned page from the book: Gal Reporter by Joan Lowell, 1933; Lowell published the book four years after The Cradle of the Deep as another attempt to proof her experience at sea.
Used in
- P #3 At Seaby Becca Albee
Tags
Date of post:
10.18.15Date of photo:
2015Photographer
Ramsey Orta
Caption
Still from a video documenting the death of Eric Garner on July 17, 2014. Screen capture by Guy Witzel.
https://eric-garner-chokehold-documentation
Used in
- P #8 On the Efficacy of Exposureby Guy Witzel
Web presence
Tags
Date of post:
10.18.15Date of photo:
2015Photographer
Uncredited
Caption
Screen capture from “Collateral Murder” (8:34 of 17:46) released by WikiLeaks April 5, 2010.
https://youtu.be/5rXPrfnU3G0
Used in
- P #8 On the Efficacy of Exposureby Guy Witzel
Web presence
Tags
Date of post:
09.03.16Date of photo:
unknownPhotographer
Unknown
Caption
Courtesy of Nitesh Estates / Napa Valley eBrochure
Used in
- P #12 Plotby Alpert / Premnath
Tags
Date of post:
08.27.22Date of photo:
2021Photographer
Mike (aka Beeple) Winkelmann
Caption
Beeple (b. 1981), HUMAN ONE, 2021. Kinetic video sculpture, consisting of four video screens, polished aluminum, mahogany wood frame, dual media servers, video with corresponding dynamic NFT. 87 x 48 x 48 in. The still depicts the aluminum case and one screen that shows a human figure in a space suit walking in a desert-like landscape.
Used in
- P #27 New Financial Totality: Beeple’s EVERYDAYS (2)by Nadezhda Gribkova